Showing posts with label Tribe Literary Agency. Show all posts
Showing posts with label Tribe Literary Agency. Show all posts

Thursday, June 30, 2011

So You're All Probably Asking, "WHAT THE HELL?!?"

By now you've probably noticed that I've removed all links and reference to Tribe Literary Agency from my public profiles, blogs, twitter, email and Facebook etc. If you follow more than a few Tribe clients in this way, you've probably noticed they've done the same. And you're probably wondering what the hell is going on...
I'm going to get in front of this quick. Here is the story as briefly as I can tell it:

At the beginning of June, I made the very difficult decision to end my agent/writer relationship with Tribe Literary. My reasons are my own and I don't intend to besmirch anyone's name here. Let it suffice to say that I wanted to go in a different direction with my writing. An example of this is the work being done to translate my books into French and submit them to European publishers. More on that as it develops.

Don't overthink this.
I sent my former agent a polite letter of intent to sever my ties to Tribe Literary, as per the stipulations of my contract, with 30-day notice and cause. The responsible parties accepted this and were gracious. There were no hard feelings conveyed as a result of that termination, and everything was handled very professionally.

Today, the owner of Tribe Literary has announced that she is dissolving the agency, citing personal reasons. I won't go into it any deeper than that except to say this: Tribe Literary no longer exists. If you've submitted work to them or are represented by them and don't check your email very often...then I've got some bad news for you...

As for me, this works out well. Under the conditions of my contract, I was still represented by Tribe until the end of the 30-day notice. That meant that, due to professional courtesy, I could not query or accept representation from another agent until that time was expired. Now that the agency no longer exists, I can start querying agents with impunity. I am now free from any ethical or honorable obligations to wait until the notice period expires. Yay for me.

Unfortunately, there were a lot of fine writers who didn't see this coming and are now out in the cold. If you happen to be one of these, and you want to talk about it, send me an email  at sean at seanpoindexter.com. If you're just wanting to hear be trash talk my former agent and the agency, that isn't going to happen. I stuck my neck out and took a chance on a new agency. It didn't work out, but I learned from my experience and don't consider the time wasted. I look forward to the opportunities ahead, rather than back at the chances taken.

Much love to all of you.

Saturday, August 21, 2010

BIG NEWS!!! ...that I can't tell you.

YEAH! Big news that I can't tell any of you. SORRY! That's how this shit works. Just trust me, if you knew you'd be happy. Because it's awesome. And yes, it regards publication. NO, I have not been given an offer. Yet. But, we're getting close. SO close...


Anyway, I can't just leave you hanging and not give you something. A couple of bits of news about my agent. First, Cari will be at the Killer Nashville convention on August 20-21. She'll be offering advice, hearing pitches, and selling our books--and having lots of fun! If you're there, tell her Sean said hi! Another thing for you all is an interview my agent Cari did for The Examiner.

Also, the Tribe website has been updated so that you can leave comments on the individual author's page! So, pop by and say something flattering about me. I can take it, I promise. Don't be afraid to check out all the other fine authors and talents represented by TribeLit while you're there!

While we're on the subject of flattery, there is a great deal of it due to my friend and fellow TribeLit author, Luke Romyn. Luke's book: The Dark Path received a stellar review by all the beautiful people at Bitten By Books! Swing by and take a look at the review, then buy and read The Dark Path! Tiamat wills it!

Wednesday, August 11, 2010

From Formspring: Why haven't your books been published yet? It's been like a year!

I get asked this about once a week. I didn't answer before because I didn't have a definite answer to give. Now I do: it will take as long as it takes.

Publishing is a very conservative business. Considering the amount of money, time and effort that publishers put into a book, as well as an investment in the future creative output of that author, it is a very long, drawn out process. I promise I'm not holding out on you guys. I would love to be announcing I've been signed by a publisher right now. I'd like to have made that announcement several months ago. But, that isn't how it works. Yes, there are examples of writers to get offered a huge contract by the first publisher they approach days after finishing the rough draft of their manuscript. These examples are rare near to the point of being mythical. Most of us have to ride the train, and it's a very old, slow train on a really long track.

Luckily, I'm not on the train alone. I have a very aggressive, intelligent, hungry and dedicated pair of literary agents working to see my books published. Remember, they don't get paid one cent until I get offered a contract. They are motivated to sell. But they are also very smart and know the business. Publishers work with creative people, and creative people are notoriously difficult to work with. Anyone who has been in a band or dated a painter knows this. Time is money in publishing, and every minute counts. If a publisher thinks a writer is going to be difficult to work with, they'll pass...it isn't like there aren't a lot more out there from which to choose: starving writers who would sell their soul for a five figure advance and a contract...or less. Agents have to strike a balance between enthusiasm for the sale and appearing desperate or obnoxious.

All things considered, my story is a fortunate one among writers. Maybe it was the quality of my writing, beginners luck, the product of my odd charisma, my obnoxious talent of self-aggrandizement toward strangers or a combination of any of the above, but my road has been far shorter than many. I know writers who spend years, some decades, just trying to land an agent--or, having landed one, changing agents until they find one they feel comfortable with. This is often after multiple publications in magazines and journals--which don't pay very well but help build a resume. I scored one that was a perfect fit for my style and enthusiasm in less than a month and I haven't had a story published in a magazine in over 10 years...and that was a non-paying submission that I didn't even mention in any of my queries because the magazine doesn't exist anymore. Within two months, my manuscript was out to publishers. A month later, we had our first nibbles from publishers requesting partial or full manuscripts. More have come in the following months. I'm now just over seven months into this. I'm not bragging, I'm just pointing out that I have been incredibly fortunate, and that compared to the sacrifices and struggles that many talented writers must endure on the road to publication, my path seems downright gold-bricked.

So it will happen when it happens, and it will take as long as it takes. I appreciate all of you going down this road with me, and your love and support will not be forgotten when (not if) I get there. Thank you all for hanging in there with me. I know many of you want to read the book, and no one wants you to be able to read it more than me. 

Wednesday, July 14, 2010

A Little Taste of Dragons Fighting...

There are still some of you who haven't yet read the excerpt from my first novel: The Shadow of Tiamat. I'm not going to get mad at you, though. You're all very busy. Or, maybe you aren't sure you'll like it. Also, the excerpt is pretty long. Most authors and publishers only give you a few paragraphs. I slapped down the first six chapters. A lot of you have appreciated that, but I'm sure there are many who found it daunting. I don't blame you: I'd be reluctant to read six chapters from a book I wasn't really sure was going to be that good, too.

As a new, unpublished author it is my job to convince you to take a look. That means some very aggressive (and possibly annoying) self-promotion. I used to be embarrassed by it, but I'm so over that now. So, here we go...

When I started writing the first novel, I had no idea I was writing something good. I mean, I figured it wouldn't suck, but I never imagined I might be creating something that could have mass appeal. I expected to self-publish or land a small, ebook publisher and sell a few hundred copies to friends and family. The first person to actually read the book all the way through was a young friend of mine. She is not an avid reader, or even a fan of fantasy or dragons. She is also very, very busy and has a high-stress job...which meant that her down time is precious. I expected she'd read a few chapters and then tell me it was "interesting" but that she was too busy to read the whole thing and give it back. She read the entire book in two days. I should also point out that this was an early draft of the book. It was riddled with typos, spelling errors, awkward usage and even a couple of logical inconsistencies that were later cleared up. She loved it. Still loves it. Her reaction was what convinced me that I had something special here, something that could be big. At the very least, it was something I could make a living doing, and enjoy. 

So, here is the deal. I can talk about how great the book is all day. I could tell you that my beta reader group is unanimous in their love of the book and the series. I could tell you how many of them read the whole damn manuscript (over 110,000 words) in like one night--hint: most of them. I could also mention the actors, writers, producers and musicians who have read at least part of the book (if not all) and loved it. Or, I could mention the 9+ publishers who have requested partial and/or full manuscripts from my tireless agents. I might also bring up that it's in a genre that is about to explode, thanks in no small part to the smashing success of The Passage.

But I won't...that would just be insufferable of me.

Instead, I'm going to give you a little taste of what you might be missing.

The following is the third chapter of my novel, The Shadow of Tiamat. It is the first in The Dragon's Blood Chronicles, of which I have written five, not including a spin-off series of paranormal mysteries starring one of the more endearing characters from the first two books. A lot of the feedback on the book is praise regarding the elaborate but easy-to-follow battles between the dragons, even from people who don't even like fantasy--or dragons. This is a pleasant surprise, but it makes sense: few things are more bad-ass than dragons beating the hell out of other things and/or each other. This is not a very long chapter, and it contains several key characters for the series.

Enough of the self-promotion...now it is time for me to prove to you that my book will be worth reading. I give you dragons fighting dragons:

*    *    *

Three stood in silence in the East African desert: two men and a woman. The night was black under the moonless sky, but they saw clearer than any human eyes could have on the brightest day.

The female broke the silence, “Do you think she will come?” Yomiko stood a few inches from Yor, the only other Asian there. His silence implied impatience. He was her brother and she expected his support.

“She will come,” said the bald man standing several meters away. He continued gazing at the horizon.

His accent was English, maybe Australian. Whatever it was, Yomiko despised the way he talked…not the accent, the words. He spoke like a human. It was disgusting.
 
“Do you think she will suspect?” the female asked, turning her back to Yor.

Though she could see only the side of his face, the curl of his cheek showed the bald man was smiling.

“Of course she will suspect.” Her brother placed his hand on her shoulder. She shook him off. Her bound hair flipped against his wrist as he withdrew.

“She is one of us, love.” The bald man’s scalp was decorated with sharp, angular runes. They seemed to have been carved in with a knife and filled with black and red ink.  He glanced over his broad shoulder at her. “She would be a fool not to.”

“But she will come, Xyus?” She fixed his eyes with her gaze and tilted her head. He reacted to the mention of his name by turning back to the horizon.

“She will come.”

And she did. The cool desert breeze carried her scent to their nostrils. All three raised their heads and took it in, like instinct. A few seconds later, Morrígu came into view.
She was massive, but graceful. Her powerful wings turned the gentle desert air into a torrent. The three on the ground stood resolute, despite the powerful dust storm erupting around them.

Yomiko couldn’t help but admire her. She was captivated by the layers of emerald scales, many of them glossy enough to catch sparkles from the faint starlight. Some interlocking and other overlapping, they armored her muscular form like a work of reptilian art. Yomiko found her spectacular; a breathtaking example of their kind. It reminded her why many of their ancestors were worshipped.

In her long life, Morrígu had probably been worshipped as well.

She transformed into her human shape in midair. The creature that was over eighty meters long with a wingspan of nearly twice that reduced to a naked woman. She fell to the ground feet first with a light thud, bending her knees with the impact.

As she stood, Yomiko saw Morrígu’s female form was no less astounding than her draconic one—at least by paltry human standards. She was voluptuous, with full breasts, a slender waist, and curving hips. A mane of sultry red hair fell over her strong, feminine shoulders down to the middle of her back. Her eyes were piercing green; no less so than the emerald scales that had covered her form just seconds ago.

Yomiko looked at her two male companions. Many of her kind had a taste for human women. If her brother or Xyus were among them, they must have found her irresistible.

Without taking her gaze away from Xyus, Morrígu gestured to the others with a nod. “Who are they?” Her voice was strong and proud, full of a confidence Yomiko envied. The accent was Irish, but poised and refined.

“They are to be trusted,” Xyus replied, not taking his eyes off of her.

“That is not what I asked!” She placed her hands on her wide hips.

Xyus introduced them. It was only after they had been named that the red haired dragon glanced to them and sniffed the air. She did it twice, once for each of them.

“Twins?” she said, with no small amount of intrigue. She regarded Yor before Yomiko, but seemed to spend a bit more time on the female. This interested her, but seemed to concern Yor. Her brother stepped forward and placed a hand on his sister’s back and another on her belly.

“Meredith Morrígu.” Xyus glanced over his shoulder at the twins. They nodded in reverence. Morrígu returned attention to her host.

“Xyus, I presume you have called me here at the behest of your master—”

“I have no master!” he interrupted, taking a brisk step forward and lowering his jaw. His gaze fixed her nude form in umbrage. It was a level of contempt Yomiko had never observed between two of her kind.

“Your ally,” Morrígu corrected, making it more than obvious that she did not approve of the finer term. Nonetheless, it seemed to abate Xyus; for the moment.
 
“I have.”

“Then I will tell you what I told the last ally he sent to me.”

“You have no need to tell me,” he explained, crossing his hands. “You may tell him yourself!”

Yomiko noticed an immediate change in Morrígu. Almost like an animal, she went from refined and elegant to feral and poised. The men tensed up in kind, initiating an instinctual reaction in Yomiko to do the same. After sniffing the air, Morrígu relaxed but kept up her guard.

“Fraise is not here,” she declared, unhidden scorn in her tone.

“Not yet.” Xyus mocked her with a chuckle.

Yomiko looked to her brother. She expected to see confusion, but instead saw only wide-eyed curiosity.

She knew Morrígu was smart enough to know there was no need to take to the air. Fraise was large enough that his scent would be noticeable from over a hundred kilometers away. He was nowhere near. If he hoped to arrive before Morrígu had a change to escape on wing he would need to be much closer.

The air rippled. At first Yomiko thought it was the wind, until she realized that it wasn’t just the air moving in waves, but the ground and sky as well. The ripples intensified, like someone had cast a rock into a placid lake.

Morrígu’s eyes narrowed and her jaw tightened. Yomiko wondered if this was what dragons looked like when they felt fear. She’d seen it in humans, but they were so accustomed to fear that expressing it came naturally. For a dragon, even in human form, fear was an infrequent sensation. The intensity was overwhelming.

At the moment, Yomiko shared the rare emotion with her—but not with her brother or Xyus. The former looked around in amazement; the latter raised his eyes to the East in expectation.

The ripples pulled away from them and focused into a single pane of the night sky. From this surface, like a fish breaking from water, emerged three more men. Two of them were in the fore, one with dark brown skin and the other with a smooth, pale complexion. Yomiko didn’t know them, but she knew they were dragons by their scent. The third emerged as the ripples ceased. The sight of him caused Yomiko and Yor to gasp, and Xyus to beam with adoration.

“You said they were to be trusted!” Morrígu roared, throwing a finger towards the twins. Yomiko saw the betrayal in Morrígu’s eyes, but she dared not show any sympathy towards an enemy in the presence of Xyus’ ally.

“They are to be trusted,” the third male said, stepping between his two escorts. His strong face, wrinkled with age, curled into a cold and sinister smile. “Just not by you.”
 
As Morrígu turned her attention away from the twins, Yomiko gazed with wide eyes at the new arrival. She had no doubt who this was, for she knew of no dragon on the earth so ancient that his human form would bear the profound marks of human aging: a head of thinning white hair, wrinkled skin, and glossless, faded eyes. They were features she’d never seen in the human guise of one of her kind.

“Veles Fraise!” Morrígu snarled—giving name to the beast.

“Darling,” he replied, shaking his head. His voice was smooth but discomforting, like a chilling winter wind. “I have not been called Veles in over nine hundred years.”
 
“You have come here to murder me.” Her voice sharpened.

“Oh, Morrígu!” The most ancient among them spoke in earnest. “Beautiful, beautiful Morrígu! I have come only to implore you to reconsider your compassion for these pathetic creatures.”

His accent was unlike anything Yomiko had ever heard. Dragons adopted the manner of speaking of whatever humans they live near or among to help fit in. This was something different, something that harkened to an ancient dialect long lost to the world’s memory.

“You think I have compassion for them?” she spat, almost trembling with rage. “Loathsome talking apes! The mere sight of them repulses me! I feel disgusted hiding in the shape of them!” She gestured to her body, causing her firm, ample breasts to shake as she motioned like tearing off her skin.

“Then why not join me?” Fraise was calm. “Rid our world of these pests? This was always our plan, beloved—”

“This is not what we planned!” Morrígu shook her head. “This…had you come to me two hundred, maybe a hundred years ago, I may have cooperated. But now, it is different. The apes are more powerful. They have weapons that can kill even us. What you seek to do will bring exposure and death to our kind. Nothing more!”

“So it’s not compassion,” Xyus injected, smiling like he would laugh aloud once he completed his thought, “but cowardice, then?”

Morrígu roared and turned fast, fixing Xyus with a murderous stare. Her emerald eyes were alive with hate and disgust.

“You speak to me of cowardice!” she roared. “You, who dare not face me without the protective presence of your master!” She placed special emphasis on that last word, driving home that she was through with politics and courtesy. It did not seem to bother Xyus as much this time as before; though he tensed his hands and set his boots to the ground.

Silence. Even the creatures of the desert ceased making noise. Yomiko noted that the lowest things on this world could sense what was coming next, and were wise to be as far from it as possible.

“So you’ve come to kill me.” Morrígu regained some semblance of composure and turned to face Fraise.

“My precious friend, I am forbidden by honor to subject you to a fight I know you cannot win—and bound by my affection for you to give you a fair chance.” He sounded quite sure of himself, but Morrígu did not appear to disagree. “But if you will not cooperate, I cannot allow you to leave.”

She nodded, accepting what was next.

“I am here only to see to it you do not flee,” he continued, stepping away from his escort.
Xyus’ eyes were wide and his teeth bared, seething constrained excitement at what was coming. Yomiko was surprised to see the same look on her brother’s face.

“Would you have expected me to flee?” Morrígu was polite, like she were still talking to a friend. Yomiko didn’t imagine she was someone accustomed to retreat.

“Simply a precaution, my dear,” he explained, continuing to walk away. “Though I trust in the capabilities of my younger allies…” He gestured to the assembly—they surrounded her like a pack of beasts. “You are far swifter in flight than any dragon I know.”

“Any dragon,” she added, “but you.”

Fraise nodded once, smiling.

“Goodbye, Morrígu,” he concluded, now several hundred meters away.

Morrígu dipped her head in reverence to her old friend.

Then she was a dragon again. Her change was so abrupt that the gust made Yomiko's hair flutter. Before she could take in the magnificence of her emerald plated form, the great dragon cast a powerful backhand blow against Xyus’ human body, hurling him into the air and off into the desert. Thousands of meters away, he landed with a faint crash. That would keep him out of the fight for a minute or so. She appreciated that Morrígu was smart enough to recognize the strongest among them and remove him from the battle long enough to thin out the rest.

Yomiko wanted no part of this fight, but took to her nature nonetheless. Her clothes ripped to threads and strips as she lengthened into her serpentine form. Yomiko’s body was leaner than Morrígu’s, and her scales were yellow and red. She had no horns, and her legs were set further back on her body. Her tail was less defined, like her entire body was part of it. She reared up on her powerful hind legs and took flight, carrying herself away from the battle.

Morrígu was more than twice the size of any of them. Her neck and head alone were as long as Yomiko or her brother, and almost as thick. Yor’s form was identical to Yomiko’s, except for the dangling scales around his chin that resembled a human’s beard and two short horns.

The other two dragons were more like Morrígu. One of them was covered with shimmering silver and white scales, the other black with a grayish white belly and neck. Both had horns, though the silver one had bony ridges that ran the length of his spine and ended in a set of sharp spikes at the tip of his tail.

As Morrígu occupied herself slapping Yor in the face with her claws, the silver dragon whipped his tail about and drove the spikes into Morrígu’s back.

Though roaring in anguish and pain, Morrígu didn’t slow. Black dragon’s blood gushed from the wound and splattered on the sand with a hiss. Morrígu responded with her own tail, lacking the spikes but as muscular as any Yomiko had ever seen. The heavy end of it crashed into the silver dragon’s knee, and a powerful crack of bone sent her adversary to the ground. Morrígu swatted Yor again, this time ripping scales from flesh and drawing more blood. It erupted in a geyser, spraying across Morrígu’s breast as she twisted her neck about and opened her mighty jaws.

Yomiko knew what was coming next.

Morrígu’s breath attack was a burst of sound so powerful and violent that it tore the air. It radiated out from her throat in a cone, blasting chunks of flesh and bits of scale from the bodies of the two dragons. While the smaller black dragon took the brunt of the damage, he was quick enough to avoid the full force of the blast. Most of it impacted into the ground and caused a crater to appear, as if the earth had been depressed by a massive foot. Her brother took some damage to his hind leg, a wound that would cripple him for days—if he survived.

The effect left Yomiko deaf for a few seconds. The smaller dragon scampered back, trailing blood from the tear in his belly and leg. The silver dragon, still face down on the ground, began to rise, using the three legs that still worked. Morrígu would have none of that. She brought her own leg up and stomped down on the smaller silver dragon, crushing several of the bony plates along his spine.

Morrígu’s eyes widened when the spines pierced her foot, causing a shower of blood to coat the smaller dragon. The pain wasn’t enough to stop her from crushing his spine. The weaker dragon roared in pain, his forked tongue lashing around in anguish as he realized that he could no longer use any part of his body below the wound.

Yor leapt to the air, sinking his teeth into Morrígu’s sinuous neck. She twisted her head about, but was unable to bring it low enough to bite back. As Yor brought the rest of his body up in an attempt to coil around Morrígu, she brought her front legs to bear and grabbed him around the chest.

Her claws dug into his scales, tearing through them like tree bark. Streaks of black blood poured down his yellow and red body. Yomiko thought she heard her brother squeal as the emerald dragon’s muscles flexed. She pulled his jaws from her neck. Much to Yomiko’s surprise, blood erupted from the wound Yor had left. His teeth left black grooves in the interlocking green scales of her neck.

She hurled Yor over a hundred meters away. He landed with a crack and lay motionless for a few seconds before stirring. He was too hurt to stand. Yomiko turned her attention back to Morrígu.

The wound left by the silver dragon was deeper than Yomiko thought. It had torn a fissure through Morrígu’s lungs, and each breath the mighty dragon took caused blood to trickle down her scales. If there was pain, it did not show.

The silver dragon paid a great price for striking so mighty a blow. With a roar of triumph, Morrígu brought her wounded foot down upon the smaller dragons face, crushing his skull with a chilling crack. The silver dragon twitched once before twisting up on itself to become a motionless pile of flesh.

Yomiko’s jaw fell open. It was the first time she saw a dragon die.

With a blur of motion and a burst of flame, Xyus was back in the fight. His natural form was a squat beast with a long horn on his nose and a short neck ribbed with bony armored plates. His scales were dull red, like dried animal blood, except for his belly and the underside of his short neck which were rust colored. His wings were short but powerful. He was likely not as skilled a flyer as other dragons, but his body had other advantages. Xyus looked built for battle, and he seemed to relish the opportunity.

He wasted no time unleashing a cone of scorching flame from his throat. It poured forth like water on Morrígu. She howled in pain and fell to all fours then shielded herself with one of her wings. The flames coursed along the surface of the wing and blackened the skin beneath.

By the time Morrígu recovered from the searing blast, her wing was nothing more than a limp frame of blackened bone. Yomiko winced at the sight of it, and knew this meant Morrígu had resigned to die here tonight. No dragon would ever sacrifice a wing in such a way unless they thought there was no escape. She sought only to cause as much damage to her enemies as possible before they overwhelmed her.

She released another burst of her own breath weapon, amazing Yomiko that she’d been able to regenerate it so fast. The sound was weaker this time, and appeared focused into a beam. It struck Xyus in the face, but his thick armor absorbed most of the impact. He whimpered and staggered back; stunned, but not killed. She managed to take him out of the fight again, though not for long.

Not to be caught unprepared, Yor flew back into the fight and tried once again to clamp down on Morrígu’s neck. She and her brother had a breath weapon: searing flame like Xyus. It wasn’t as powerful though, so Yor appeared to be foregoing its use.
Morrígu caught Yor in air and slammed him to the ground. The earth cracked at the impact, leaving another deep fissure in the desert floor. Again she brought him up and down, crushing his body under repeated blows, until he fell limp against the sand, trembling in pain.

Yomiko hadn’t reckoned her brother could be killed here tonight. He needed help. She scanned the desert for the black and gray dragon, and found him huddled near Fraise, nursing his wounds. He must have been more injured that she thought, or just a coward.
Yomiko looked back to her brother. He turned his head to meet her eyes. Morrígu positioned herself over him, limping and leaving a trail of sizzling black blood on the ground at her feet.

The fight was over for Morrígu. Xyus would soon come out of his delirium and rip her to pieces. Even if she managed to defeat Xyus, she would succumb from her wounds within an hour. The inevitability of it weighed on Yomiko. She knew Morrígu had no reason let Yor live. The emerald dragoness had nothing left to lose, and all that remained was to end the life of another of her aggressors. Yomiko hissed with anger at Yor for getting her involved in this ambush, but was overwhelmed by the fear of losing him.

She leapt on Morrígu and caught the older dragoness off guard. Yomiko was impressed by the sheer power coursing through the muscles of the emerald dragoness. She sunk her teeth into the same wound Yor had inflicted seconds ago. Her jaws, equal in strength to her brother’s, crushed the weakened flesh in their embrace. She found the bloodied grooves he’d carved into the Morrígu’s neck and matched them with her own sharp teeth. Bones more powerful than steel bent and snapped in her mouth, and Morrígu released a hoarse roar as blood bubbled through her lips.

Black dragon’s blood sizzled from the wound, pouring down Yomiko’s throat and chin. It tasted like iron and ashes. Morrígu attempted to grapple Yomiko, but was too weak. The slender red and yellow dragon wrapped her body around the larger one’s neck and constricted. Morrígu let out a gasp—then a hiss—accompanied by bubbles of blood. She resolved to a gurgle as fluid pooled in her throat and lungs.

Morrígu fell to her knees then flopped on her belly. The light in her eyes faded as she took her last look at the world: the reality where she’d spent over seven thousand years.

Yomiko saw no traces of sorrow in the mighty dragon’s eyes.  She would die an honorable death after doing great harm to her aggressors. Nevertheless, the younger dragoness felt sorrow for her, and at the passing of this magnificent creature from the world. Yomiko released her grip and lowered her lips to the fallen dragon’s ear.

“I’m sorry,” she whispered, in the language of dragons. They were rare words for their kind.

Morrígu died.

*    *    *

There it is. If that didn't appeal to you, then you probably won't like the rest of the book. That's fine: everyone has their own taste and preference when it comes to books. But, if you did enjoy it and want more, you can download the first six chapters and read it all you want. At the very least, click the little LIKE button on the upper right hand corner, or maybe tell other people about what you read here.

Thanks for giving me a chance! You're the best, and I wouldn't have the confidence to do what I do without you.

--StP

Monday, May 24, 2010

From Formspring: How are your books coming along and when can I get one?

From sagetherage, 5/23/20010

The books are coming fine, thank you. I've completed books 1-4 of The Dragon's Blood Chronicles, which comprises the first story arc for that series. I've also finished my first draft of book five, but there are several things I want to change about it so I don't consider it completed. I've also finished Max's first book, a paranormal mystery I'm tentatively calling Moth. I've started work on Max's second book, which I haven't come up with a name yet. All of the Dragon's Blood Chronicles have long, elaborate titles so I'm thinking for Max's series they'll have one word titles. This is all subject to publisher approval, though. They sometimes what you to go with a different title.

As far as when you can get them...well, my agent and her senior partner are working very hard to secure a good publishing deal for me. We're in frequent contact, and the process is slow going but I expect good things soon. Believe me, as soon as I know, you'll know. I can say that my work is in the hands of several excellent publishing houses, some of which have already requested full or partial manuscripts to review for publication. They can't be rushed, they have to make the decision on their own time. If I thought harassing them would help, I'd probably be very annoying right now. All we can do is wait.

This is a nerve wracking process, and the publishers are taking their time because of the economy, but as I said I'm confident we'll know something soon. I'm as excited to get these out as everyone else. These books have been a lot of work for me, and I've gotten a lot of positive feedback from people who have read the manuscripts. Just keep your fingers crossed.

And...if you happen to be friends with the editor at a publishing house, you might lean on them a little for me. I don't want to come off as desperate here, but I'm willing to donate kidneys if anyone at the publisher needs them. I've got two...and can get more.

Thursday, May 6, 2010

From Formspring: Do you ever worry about coming off as too preachy in your writing? (note: not an insult)

Do you mean in my blogs or my books? If you mean my blogs, then yes: I am occasionally concerned that I might alienate readers--and potential buyers--when I take a stand on something. However, I learned a long time ago that no matter how hard you try, people are going to read whatever message into what you've said that the want to find. So, you're better off just saying what you want to say. I can tell someone I respect their intelligence even though I don't agree with their position, and if they want to think I'm being condescending or preachy that's what they are going to think anyway.

As for my books, I try very hard not to put any kind of political or social message into them. This isn't that difficult with the Dragon's Blood Chronicles, but I sometimes find it harder to do with Max's books. Max has a certain outlook on the world that is colored by his experiences from doing social work in Southwest Missouri. In either case, I'm not writing books to make a political or social point, I'm just trying to tell a story. I am guessing people might take one away from it, but the world in my books is only superficially like the real one. My books have dragons living in mansions in the woods and vampire meth-dealers. It's fantasy, not what I think the world is really like.

Wednesday, April 28, 2010

The March to Publication Continues...

Hey, all. I just got some great news! Another publisher has requested my manuscript! This is great! I can't say which one because publishers get annoyed if you talk about them being interested before they make an offer. But it's a good one, like the two before. I also got a rejection, but that's fine, especially since they don't typically publish my genre; but you never know when publishers may change their mind so it pays to cast a wide net. So far that's 1 rejection, 3 requests for partial or full manuscripts! All the thanks should go to my agent Cari Foulk and her senior partner Jonathan Clements! Very good news, and I'm very excited!

I'll keep everyone posted on the developments as they...develop...happen...whatever.

Friday, April 23, 2010

From Formspring: How do you decide when a chapter is finished? Is it like changing scenes from a movie, only mentally? Do you ever find yourself splitting chapters because of length or pacing?

I tend to assume my readers are busy people, and therefore lean towards shorter chapters. This allows for as many breaks as the reader needs. The chapters are short enough that the reader can stop, but connected enough that they can keep reading without interrupting the flow of the story.

As to where the paragraph breaks occur...that is difficult to pin down. I don't like to end a chapter on action just to start it up again in the next chapter. However, I will end on action and move on to a different scene. Knowing when to make this a section break or a new chapter is more instinct than anything else. This is especially true in the fourth book of my series, which involves a lot of battles. I had to jump around to different characters a lot, and you can't do that without a section break or new chapter.

I also tend to have more than one story going on at a time, so I have to jump between them with care. I'm working on Max's second book right now. In it, there are two seemingly unrelated stories evolving together, and they don't sync until near the end.

After I finish a draft, I do a lot of editing; this includes re-arranging chapters and so forth. I've split up chapters or combined to shorter sections to make a new chapter. I'm kind of obsessive about it, but really I think it's just about the flow of the story.

Thursday, April 22, 2010

From Formspring: How many easter eggs do you include in your books?

I like to write an entire series ahead of time, which allows me to plan things well in advance. The significance of certain details in the first book aren't revealed until much later in the series. I don't know that I've ever taken a count, but it's my hope that readers will find things in later books and remember, "Oh, that's what that meant!"

Of course, this only works in moderation. If you keep overloading readers with references to subtle details in earlier books, they will eventually stop reading you. I've been told one of the strengths of my writing is that it is involving, but approachable. You don't have to learn a new fantasy language to figure out what's going on, or consult a massive concordance or keep doing Wikipedia searches every few paragraphs. I know there are readers who actually prefer that level involvement with their books, and I think people who enjoy that will find much in my work to keep them busy. But, at it's core, I'm just trying to tell a good story.

I'm not Ernest Hemingway or Frank Herbert. They were titanic authors who wrote timeless stories. The mere presence of their name on a work of literature is enough to attract an audience. I'm confident about my work, but I'm not going to impose too much on my readers. In other words, I assume that I have to earn their interest; it's not just a given like one of the above-mentioned great writers. I think the worst thing a writer can do is fall too in love with their own work. It's important that a writer enjoy what they write, and write what they enjoy...but equally important is to remember you have to earn a reader's trust and respect with your writing. Make them work too hard for it, and you take the fun out of it. People don't mind reading James Thurber or Franz Kafka with a concordance or online encyclopedia nearby. They won't be so patient with a less known writer like me.

On the other hand, there are a few things in my books that I keep hidden from most people. I do this for fun, and also to see if anyone picks up on them. I'll admit that it will be quite a rush to see people try to figure out what a certain character's name means, or if there is any significance to seemingly innocuous details. Some of these secrets I may share when the books come out. Others, I may keep to myself and a small circle for my friends.

Why? Because it's fun, that's why.

Wednesday, April 21, 2010

From Formspring: How big can dragons in your book series get?

The short answer is, "Pretty damn..."

Dragons do most of their growing in dragon form. The more time they spend in human form over the course of their lives, the slower they will grow. Older dragons (5000+ years or so) are much bigger at that age than younger dragons (3000 years or less) will be at age 5000 because the younger dragons must spend more time in human form, thus stunting their growth. There were once far fewer humans on Earth, and those that there were didn't have much in the way of technology. Even modern weapons have a hard time damaging dragons. Stone spears and rocks are basically hopeless. Also, primitive humans were kind of stupid: they assumed everything they saw was magical and should be avoided if it was too big to eat. Many of them treated dragons as gods. A dragon could afford to spend the majority of his time in dragon form, thus allowing him to grow. Those days are passed, and while dragons are very powerful, they have to hide out among humans. This stunts their growth a bit.

On average, a hatchling is about the size of a Ford Taurus. They grow rapidly in their first 100 years, and as such are required to spend more time in dragon form than most older dragons. This is the dragon equivalent to puberty. Dragons don't have an infancy, since they are hatched with intelligence that exceeds most humans. They also posses some of the knowledge of their mother, especially things that happened while the egg was still inside.

As far as how big a dragon can get, I can't really say without giving away part of the books. As you've probably guessed from reading the excerpt, Veles Fraise is very old. In dragon form, he is GIGANTIC. Think aircraft-carrier size. The odds of another dragon ever being able to get that big are slim, since Veles was able to spend most of his life in dragon form, without having to hide among humans. This is part of why he hates humans as much as he does. Garrett Terago, in dragon form, is large enough that Meg can lie comfortably on his snout or fit in his hand. Benjamin Ardeth is a couple-thousand years older, and therefore bigger by about half, but Ardeth is old enough that part of his life was spent while humans didn't dominate the planet. So Garrett Terago will probably not grow at the same rate.

Some dragons enhance their shape-changing ability to allow them to assume different forms. Another character introduced in the first book, Aoni'a, is able to take any human form she wishes. She can even change her gender--and does. However, honing this kind of ability limits her growth, so Aoni'a is a bit smaller than other dragons her age, like Garrett Terago. She is therefore not as powerful in dragon form, though far from helpless. In subsequent books, a dragoness who is capable of disguising herself as animals is introduced. This requires a much greater strain on her growth, and as such she is very small for a dragon her age (she's fairly young) and therefore not as powerful.

Thursday, April 8, 2010

From Formspring: Where did you get your characters names from?

Some of the names I picked have cultural and mythological significance. I use a lot of resources for this, but one of the most valuable is the Encyclopedia of World Mythology by Arthur Cotterell. In addition to an exhaustive amount of information about mythology and folklore from ALL parts of the world, it is lavishly illustrated. Highly recommended.

For more mundane names, the handiest book I have for that is The Writer's Digest Character Naming Sourcebook by Sherrilyn Kenyon. More than just a list of names, it breaks them up by gender, nationality and ethnicity. In addition, the opening text of each chapter explains how specific cultures go about assigning and structuring names. Not everyone does the First name + middle name + Family name, and anyone trying to construct realistic characters from those cultures are well served to research how they assign names. Plus, it has an index so it's fun to look up other people's names.

From Formspring: Can vampires or dragons in your mythos get radiation poisoning? If so, how much compared to a human being?

I hadn't really thought of that yet. I suppose that yes, they could...but the regenerative power of a vampire is different from that of a dragon.

Vampires heal much faster, within seconds of being wounded. The more severe the wound, the longer the regeneration period. Still, it doesn't take very long. However, they are as relatively easy to injure as a human.

In contrast, dragons regenerate slower, but are very difficult to hurt--even in human form. In the excerpt of The Shadow of Tiamat, Garrett survives what should have been a fatal crash with no visible signs of injury--short of torn clothes and a busted motorcycle helmet. Obviously, in dragon form he is even harder to hurt.

If I understand it correctly (and please, correct me if I am wrong) radiation poisoning is so insidious because once it enters your body, you never get rid of it. It's with you forever. That's why X-ray techs stand behind a wall and wear a lead-lined apron while you lay there with a backless paper gown and plastic booties. It is unlikely you will ever get enough X-rays to harm you, but an X-ray tech taking dozens of X-rays a week (or day) can easily build up a fatal amount in a short career. Presumably, the regenerative abilities of these otherworldly creatures would most forms of radiation from their body, much in the same way our blood is able to filter alcohol.

The initial effects of severe radiation--i.e. the burning and tissue damage--would still occur. Based on the severity, a vampire or dragon may be able to survive this. In the case of mild radiation, the vampire might suffer some burns but heal them quickly, whereas the dragon (depending on the form they were in at the time) might not be effected at all. On the other hand, severe radiation might burn a vampire to a crisp faster than his body could repair the damage, while the dragon would take the damage but probably survive so long as they got away from the source of the radiation.

As far mutation of DNA...since vampires are human-based they still have DNA but the ability of the vampire-virus to heal it's host would (I think) restore the DNA with some manner of super-genome. Some viruses already do this to some extent. It stands to reason that an otherworldly virus would be able to do it even better.

As for dragons...um...I can't really go into that without spoiling more of the books. I'll just say this: more about the nature of what dragons are is revealed as the series progresses. I don't want to give any of that away, since it's not even something disclosed in the first book.

From Formspring: Based on the previous question and answer, does that mean a vampire could theoretically outlive a dragon?

Theoretically, a goldfish could outlive a human...

Bear in mind that I'm speaking only with regard to the mythos in which my books exist. Other writers and mythos may be very different.

All things being equal: no, a vampire would have a very low chance of outliving a dragon in my mythos. First of all, at 1000 years, a vampire is considered ancient. While powerful, at this stage they are old and decrepit (relatively) and nearing the end of their existence. Very, very few vampires have ever gotten to this point, as their chaotic, fascist nature almost assures an early death. Any vampire who lives to this stage in his life must be in possession of great power and charisma to instill loyalty (or fear) in their subjects--otherwise the vampires would, due to their nature, try to kill him.

Dragons, on the other hand, live FAR longer. Consider that at 1000 years, a dragon is considered a young adult...the last 10 centuries were roughly the dragon equivalent to being a teenager. Unlike vampires, dragons are meant to be around for a very long time.

Dragons are territorial and can be violent, but they have a system of honor that most (if not all) dragons will respect to some degree. One such maxim is that there is no honor in winning a fight you can't possibly lose. A young dragon, while incredibly powerful compared to humans, vampires, and most other otherworldly beings, is still considerably weaker than most mature (1000 y.o.) dragons. Since young dragons rarely have anything in their horde or territory that an old dragon wants to take, they aren't likely to be challenged by one. Likewise, for a dragon there is no shame in retreating from a superior dragon's challenge...so if an older dragon did show up and offer a challenge, the younger dragon would have a free escape. Of course, the older dragon would be considered in violation of dragon honor by picking on an enemy who couldn't possibly defeat him. So, most older dragons don't go around challenging the young ones. Also, dragons are smart enough to know that they reproduce so infrequently (1-2 times in a male dragons life, if he's lucky) that their race will die off if they keep killing their young.

This is a direct contrast to vampires, who gleefully exterminate younger, weaker members of their kind, to eliminate competition, to take what little they have, or just for the fun of it. In order for a vampire to respect the life of another vampire (or any other creature) there must be something they want from them (sex, influence, money, companionship, servitude, or just someone to kick around) OR they must be kept in check by a bigger, stronger vampire.

Wednesday, April 7, 2010

From Formspring: Can the vampires you write about ever die from old age? What happens if they don't drink blood, do they starve to death?

Great question! Thank you! My books are mainly about the dragons, but the vampires play an important role as well. As such, I had to really come up with a new angle for vampires. I probably failed. BUT...I tried. Again, the books are really about the dragons. Max's spin-off series deals with the vampires more...at least the first one does.

In point of fact, the vampires in my books drink plasma. Blood just happens to contain plasma. They can live off plasma alone (like what they take out of your blood during a plasma donation) but it doesn't taste as good to them. The blood gives it flavor, whereas the plasma is just nutrition. Imagine the difference between a steak and salad dinner, and a cube of unflavored tofu. However, since most vampires get their plasma by drinking blood, I'll refer to all vampire food as "blood" during this answer.

For the record: no, the vampires in my books can't live on animal blood. It must be human. However, some vampires prefer (or need) the blood of other vampires, and there are rumored to be vampires who feed on things other than blood/plasma.

The vampires in the Dragon's Blood Chronicles don't really age per se, but they do change. In the first book, an ancient (by vampire standards) vampire named Zol makes an appearance. He plays a much larger role in subsequent books. Zol is described as very inhuman looking, with parchment-thin, yellowed skin and a mouth full of sharp teeth, among other characteristics that make it impossible for him to pass as a human without a disguise.

The vampires kind of have their own spiritual beliefs set up around their existence, often incorporating whatever religious or spiritual beliefs they held before being turned. So, vampire Christians incorporate Christianity into their beliefs, Muslim vampires mix Islam with being a vampire, and so on. As a result, many religious vampires believe their existence as a vampire is a gift from God or Karma or whatever...and that it is the next step in their spiritual journey. Vampire Christians, for example, believe that Christ was a vampire who survived crucifixion because of his vampire nature, then ascended bodily into heaven and a higher plane of existence. Many vampires believe they can accomplish this by weening themselves off blood, like Jainist monks do with food and water. They believe if they can survive the fasting they will ascend, like Christ--or, whatever religious icon they identify with.

Obviously, adherents of these respective faiths who learn about the vampire's beliefs find them amusing at best, offensive at worst. There is a scene in one of the later Dragon's Blood Chronicles in which a Christian character is talking about vampires with a professional monster hunter. When he tells her about vampire Christians, she laughs at the idea and says it's stupid. The monster hunter plays devil's advocate, to which the character offers to retrieve a Bible and demand that he find a single verse where Jesus ever bit someone and sucked their blood. He finally concedes that yes, it is stupid to believe Jesus was a vampire. However, this is what people do: they adjust their world-view (including their faith) to whatever their situation is. I wouldn't expect a religious person to stop being religious just because they became a vampire.

The problem is, very few vampires live long enough to die of old age. Vampires, young ones in particular, are psychopathic and prone to poor impulse control. The demonic virus in their bodies makes them very violent and careless, especially around blood. Kind of like sharks. As time passes, a few out-grow these impulses, or learn to keep them in check. The ones who don't wind up getting killed, either by another vampire, a monster hunter, or another creature (like, for example: a dragon). Or a social worker with a shotgun.

As to the fasting...while vampires can deprive themselves of blood willingly, in those instances they still have access to blood and can end the fast at any time. As a vampire ages, his dependence on blood wanes. In theory, at some point it will vanish all together. This is when the alleged "ascension" is believed to occur. Some vampires try to hurry the process along by depriving themselves of blood. Eventually, the need kicks in with too much power and they go looking for some; and hope they can hold out longer the next time.

A vampire who is deprived of blood with no way to get more...that is a different matter. This is actually addressed in one of Max's books. The demonic virus turns the human into what it believes is the most efficient hunter possible. It makes the human stronger, faster, meaner, erases their moral reasoning, give them regenerative abilities, and make their body hunger for the substance the virus needs to survive: plasma (from human blood). If the vampire is starved, eventually the virus concludes that it's host isn't a good enough hunter. It then kicks it up a notch...resulting in an even more horrible vampire. He becomes stronger, meaner, bigger, faster, scarier, and so on...unfortunately (or, fortunately, depending on your perspective) the human brain can't handle this level of the infection, and so the vampire becomes insane. Essentially, the virus turns them into a monstrous killing machine. While still sapient, this new uber-vamp is highly unpredictable and difficult to manage. Few vampires wish to volunteer their sanity for this, as most other vampires consider such creatures anathema and kill them on sight. However, there are some psychopaths who have uses for them...like capturing a vampire and burying him in a cave outside a village. After three or four months, the psychopath pays a group of villagers (almost said Village People...got that image in your head now?) to dig up the hole, whereupon a ravenously hungry vampire-monster breaks free and does what he does to the entire village. Of course, the critical failing in this plan is that NOW there is a blood-hungry superbeast on the loose, with a vague memory lodged in his infected gray matter of a certain someone who once buried him in a cave...

Left unattended though, the vampire will die of starvation. The virus wants to live, and it is the only thing keeping the body alive. If kicking things up a notch doesn't help (i.e. making the vampire meaner didn't make him a better hunter) the virus either dies or (more often) goes dormant. In either case, the human host dies. In the latter case of a dormant virus, the vampire can be revived by supplying the remains (if well enough intact) with plasma. Unfortunately, the vampire isn't likely to be very well off when he awakes.

From Formspring Don't you hate pants?

I have complex feelings towards pants. I don't think it would be fair to say I hate them. More of a love/annoyed-because-they-don't-fit-right-anymore relationship.

From Formspring: OMG! Your new photo is so hot! I want to see you naked!

Thank you, sir. I'm flattered...but I assure you, I'm not that attractive. It's mostly a series of light tricks and photo-shop mixed with a talented photographer, http://www.clovenlife.com/.

And you really don't want to see me naked. I don't even like seeing me naked. Just take my word for it.

From Formspring: Don't you feel like Dragon books are an archaic medium? Wouldn't you instead want to make your main character/dragon a mysterious brooding sort who has shunned drinking human blood and has befriended an average, awkward girl?

You make a valid point. Vampires have only been around culturally for the last nine-hundred years or so, whereas stories about dragons predate pottery. So, comparatively, vampires are a fresher medium by about an eon.

Regardless, you are certainly correct: the love between an out-of-sorts teenage girl and a self-loathing vampire is an under-explored theme in contemporary literature. If only more people were willing to write vampire-in-love-with-teenager love stories...

But, I'm far from a trailblazer...so I think I'll just stick to the dragons, if for no other reason that the kick way more ass than vampires.

Also, there ARE vampires in my books...and not the cute, cuddly sparkle-motion vampires that seem to have become popular these days. The vamps in my books are criminals and monsters who prey on children. They are frightening and dangerous...but they tend to get smashed to pieces by the dragons or shot in the head a lot. Because, let's face it: dragon verses vampire = dragon wins. Verses thirty vampires...

Dragon wins.
--StP
PS: Thanks for the best question all month, Spearman

Tuesday, April 6, 2010

Family update

For those of you who asked, my father-in-law is doing much better and should be home from the hospital soon--if not already.

Thank you everyone for your kind words, positive thoughts and prayer. I'm not a religious man, but my father-in-law is and I know he and my mother-in-law appreciate it. My wife and I appreciate it, too.

Thank you.

From Formspring: What kind of software do you use to write?

Office Word 2007. I've thought of switching to Open Office when I get a new laptop. We'll see.

From Formspring: How organized is your approach towards writing? Do you use outlines or anything like that?

I write out notes for a book, but nothing too formal, like an outline. I do this a little more with Max's books than the Dragon's Blood Chronicles, since mysteries are a little more challenging to write (for me, at least) and it's difficult to keep track of when information is revealed.

I don't make myself a slave to an idea, though. Many of the books I've written veered so far from the outline that they became unrecognizable. For example, Max's books was originally going to be about a preacher who murdered a young girl who rebuked his sexual advances. The skinheads (and vampires) were going to be a subplot, but I liked the idea of vampire Neo-Nazi's as antagonists so much that I changed the whole book.

I do often make lists of character names and traits so I don't forget things, or contradict myself...especially with background characters. For example, I don't have to remind myself what color Meg's eyes are (green) because she's a main character and I talk about her a lot. But Max's girlfriend Sadie's teenage sister Porche is used so infrequently that I have to have notes just to remember how old she is and what she looks like, otherwise she'll wind up taller than Sadie with blue eyes in one book, then shorter than Sadie with brown eyes in the next. It's also handy to keep track of other minor character traits, less they be forgotten, like how old Meg was when her father died, what tattoo Yvonne has in the small of her back, and so on.

I do almost all of my writing on a computer, so I do my notes there, too. I have a folder on a jump-drive (backed up to another jump drive, my hard drive, and an online Norton 360 backup drive) called Writing. In the Writing folder, I have a different folder for each of my story branches: right now, that includes the Chronicles, Max's series, and a third series I'm in the process of planning right now. A couple of other folders are there as well, including one full of story fragments and idea, and another with Shadowrun stuff--that's the role playing game I play with this group of registered sex offenders I met online. Any notes I keep on a story or character I place in the same folder, so I know right where to find it.